HIKARI
by Studiopepe
Hikari draws its inspiration from traditional
Japanese techniques: a sheet of paper, a two-
dimensional element, comes to life through
the three-dimensionality of the fold. The
techniques applied on the product itself, also
linked to manual skills and craftsmanship and
confer material and body upon the surface.
HA
by Studiopepe
The reference to Japanese culture is also
expressed through the name, inspired by
nature: Ha, or Leaf - a stylised leaf obtained
by folding on paper, defines the decorative
element that creates the rhythm on the
rectilinear surface - the texture appears
vibrant and reflective.
ASHI
by Studiopepe
The surface takes on a very special material
volume, almost reminiscent of a bark. The
three-dimensionality is very deep, also thanks
to the use of metal textures and colour stratifications.
YOKU
by Christian Benini
This apparently rigorous graphic evokes the
concepts of grace and elegance. Metal
elements - platinum, gold, silver - are applied
onto engravings, creating a play of solids and
voids that invites exploration of the surfaces.
KOMOREBI
by Christian Benini
The weave takes on new connotations thanks
to an unusual interpretation of the colours
used - light grey, black and iridescent copper:
not solid but faceted colours, the result of
different colour layers. Possible installation
solutions then create new geometries,
depending on the method of application, with
a visual interpretation that ranges from rigour
to naturalness.
